The book titled A Practical Approach to Viennese Classical Music supports conservatory students (aged 14–22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony.

The target era is the Viennese Classical period. The focus is on the greatest representatives of their time: Haydn, Mozart, and Beethoven.

The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on).

The first volume of the publication, A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era, was published in 2015.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments.

Each volume contains pieces by well-known and lesser-known composers from one country or region.

The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources.

Our edition retains the performance indications of the composers' manuscripts and contemporary editions.

J.S. Bach's The Well-Tempered Clavier is essential for the study and development of aspiring pianists around the world. As such, Bartók dedicated a lot of time to these pieces and gave a lot of thought to how they can be used most effectively to educate young musicians.

The four-volume The Well-Tempered Clavier was the first of Bartók's instructive editions. Bartók's editing reflects contemporary ideas about performance, and his primary goal was to create an instructive edition that was more detailed than any other which existed during his time.

This publication has been renewed as a two-volume edition (I-II and III-IV, respectively), and it includes suggestions, commentaries and fingerings by Bartók for the performer. In addition to correcting several editorial errors, this version also contains English and Japanese translations of Bartók's original Hungarian and German annotations.

Pedal use is a fundamental part of expressive piano playing, but proper pedaling skills are not easy to acquire. Thus, it is crucial for piano students to become acquainted with the use of the three pedals as early as possible.

As a result, Editio Musica Budapest has published Introduction to Pedaling in order to fill a necessary gap in the existing pedagogical piano repertoire.

Introduction to Pedaling is a collection of pieces adapted to all levels of manual dexterity, enabling learners to improve their mastery of both the musical function and technique of pedaling. The volume contains both individual and joint studies for the three pedals of modern pianos, and it was compiled and edited by prominent Hungarian music pedagogue, Ágnes Lakos.

In addition to ten selected pieces from Samuil Maykapar's Twenty Pedal Preludes (1937), Introduction to Pedaling includes keyboard music from across four centuries, ranging from Johann Sebastian Bach to contemporary Hungarian composers. Pupils can thus encounter pedal marks from different periods.